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Banco Spirit - design Hajime Oonishi - Artifort


Artifort
Oonishi Hajime
w. 47.3 x d. 21.3 x h. 32.3 |hseat 16.9 [2 seats]
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Disponibilidad: 4-5 semanas

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OUT OF COLLECTION
Banco a más plazas proyectado en el 1971 por Hajime Oonishi para Houtoku, el licenciatario Japanse de Artifort.

Los asientos son disponibles en varios colores: blanco Ral 9010, Negro, Rojo Ral 3000, Azul Ral 5017 ; Verde Ral6018 e Amarillo RAL 1023.
La base es en aluminio barnizado y la barra que mantiene los asientos es negra.
Son disponibles también los brazos y el sistema de fijación al suelo.
Es posible escoger la composición de 2,3, o 4 plazas.




w. 47.3 x d. 21.3 x h. 32.3 |hseat 16.9 [2 seats]
w. 64.6 x d. 21.3 x h. 32.3 |hseat 16.9 [3 seats]
w. 85.1 x d. 21.3 x h. 32.3 |hseat 16.9 [4 seats]


Artifort logo

Artifort
Artifort's roots lie in the small upholstery shop set up by Jules Wagemans in Maastricht in 1890. Within a generation the store had became a successful furniture factory and by the 1920s it had expanded into a internationally renowned brand. The 1920s and 1930s represented a turning point for the family business as global economic instability forced Wagermans and his partner Van Tuinen to re-think their business strategy and image. That is how Artifort was established in 1928. In the 1930s the company gained exclusivity to the Epeda interior springing technique. This established Artifort as a leading proponent of new technologies in interior design. sp The arrival of designer Kho Liang Ie was instrumental to establishing Artifort's growing influence in the 1950s and 60s. Kho Liang Le not only brought a more modern sensibility to the company and its image, but pushed for the recruitment of new young designers such as Pierre Paulin. This proved to be a crucial move, as young Paulin was to become one of the most influential designers of the 20th century. Thus, French designer Pierre Paulin became a star at Artifort, even as the latter became a leading brand in the world of contemporary furniture design. Paulin's style remains iconic and revolutionary to this day. His use of colors and materials is unique and defined Artifort's collection for decades. Another designer whose work defined Artifort in the 1960s and 70s was Geoffrey Harcourt. While Artifort has remained a leading brand in the world of furniture, since the early 2000s its has re-established itself as a innovating force in the world of design. Projects such as the Apollo chair, designed by Patrick Norguet, are exemplary of Artifort's style, light and modern.
www.artifort.com

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